Pesquisando por: "REMBRANDT (REMBRANDT VAN RIJN)" - Fotoarena - Agência de fotojornalismo

ny180324143407 A vacant frame where Rembrandt van RijnÕs ÒChrist in the Storm on the Sea of GalileeÓ (1633) was once displayed at the Isabella Stewart Gardner Museum in Boston in March 2024. After 34 years, not one of the 13 works stolen during the largest art theft in history has surfaced but the puzzling peculiarities of the case still draw interest. (Tony Luong/The New York Times/Fotoarena)

ny220324200306 HEADLINE: Empty Frames and Other Oddities From the Unsolved Gardner Museum Heist CAPTION: A vacant frame where Rembrandt van Rijn?s ?A Lady and Gentleman in Black? (1633) was once displayed at the Isabella Stewart Gardner Museum in Boston in March 2024. After 34 years, not one of the 13 works stolen during the largest art theft in history has surfaced but the puzzling peculiarities of the case still draw interest. CREDIT: (Tony Luong/The New York Times/Fotoarena)

ny180324143807 A vacant frame where Rembrandt van RijnÕs ÒA Lady and Gentleman in BlackÓ (1633) was once displayed at the Isabella Stewart Gardner Museum in Boston in March 2024. After 34 years, not one of the 13 works stolen during the largest art theft in history has surfaced but the puzzling peculiarities of the case still draw interest. (Tony Luong/The New York Times/Fotoarena)

ny180324143207 A vacant frame where Rembrandt van RijnÕs ÒA Lady and Gentleman in BlackÓ (1633) was once displayed at the Isabella Stewart Gardner Museum in Boston in March 2024. After 34 years, not one of the 13 works stolen during the largest art theft in history has surfaced but the puzzling peculiarities of the case still draw interest. (Tony Luong/The New York Times/Fotoarena)

20230708_zaf_x99_279 LEIDEN, July 9, 2023 Actors perform during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_280 LEIDEN, July 9, 2023 Actors perform during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_272 LEIDEN, July 9, 2023 Actresses interact with visitors in the street during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_275 LEIDEN, July 9, 2023 A visitor interacts with actors during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_274 LEIDEN, July 9, 2023 An actress poses for a photo during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_273 LEIDEN, July 9, 2023 Actors reenact the scene of Rembrandt's work ''The Anatomy Lesson of Dr Nicolaes Tulp'' during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_267 LEIDEN, July 9, 2023 An actor poses for a photo during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_266 LEIDEN, July 9, 2023 An actress poses for a photo during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_265 LEIDEN, July 9, 2023 Actors are seen in the street during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

ny140721162104 Hansken?s skull and other items on display in the exhibition ?Hansken, Rembrandt?s Elephant? at the Rembrandt House in Amsterdam, The Netherlands, on July 1, 2021. An exhibition in Amsterdam explores the wandering life and untimely death of Hansken, an Asian elephant who became a spectacle in 17th-century Europe. (Julia Gunther/The New York Times/Fotoarena)

ny140721162205 A black chalk drawing by Rembrandt, most likely from 1641, at the Rembrandt House in Amsterdam, The Netherlands, on July 1, 2021. An exhibition in Amsterdam explores the wandering life and untimely death of Hansken, an Asian elephant who became a spectacle in 17th-century Europe. (Julia Gunther/The New York Times/Fotoarena)

ny140721162305 Hansken?s skull and other items on display in the exhibition ?Hansken, Rembrandt?s Elephant? at the Rembrandt House in Amsterdam, The Netherlands, on July 1, 2021. An exhibition in Amsterdam explores the wandering life and untimely death of Hansken, an Asian elephant who became a spectacle in 17th-century Europe. (Julia Gunther/The New York Times/Fotoarena)

ny140721162405 A detail from Rembrandt?s etching ?Adam and Eve in Paradise,? at the Rembrandt House in Amsterdam, The Netherlands, on July 1, 2021. Seventeenth-century viewers would have understood the elephant as a symbol of chastity and grace.(Julia Gunther/The New York Times/Fotoarena)

ny280621163704 ?A Dutch Courtyard? by Pieter de Hooch, a contemporary of Vermeer?s, is scanned at the National Gallery of Art in Washington on June 18, 2021. High-tech scanning techniques used by geologists, planetary scientists, drug companies and the military are revealing secrets of how artists created their masterpieces. (T.J. Kirkpatrick/The New York Times/Fotoarena)

ny280621163905 John Delaney prepares a hyperspectral visible wavelength camera to scan ?A Dutch Courtyard,? by Pieter de Hooch, at the National Gallery of Art in Washington on June 18, 2021. High-tech scanning techniques used by geologists, planetary scientists, drug companies and the military are revealing secrets of how artists created their masterpieces. (T.J. Kirkpatrick/The New York Times/Fotoarena)

ny280621163405 A museum guest photographs Johannes Vermeer?s ?Woman Holding a Balance? in the National Gallery of Art in Washington on June 18, 2021. High-tech scanning techniques used by geologists, planetary scientists, drug companies and the military are revealing secrets of how artists created their masterpieces. (T.J. Kirkpatrick/The New York Times/Fotoarena)

908_06_lr2003295 Titus reading

908_06_lehd11884 Saint Paul in prison

908_06_lehd11566 Portrait of Maurits Huygens

00825134 "justice, crime, theft, handover of Rembrandt's painting ""The head of Christ"" after its theft on 12.12.1959 from the Gem?ldegalerie Berlin, by Dr. Adrian, Brunswick, to Dr. M?ller - Hofstede, Berlin, Brunswick, 24.10.1961,"

alb3624288 Christ at Emmaus: The Smaller Plate. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1634. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3619468 Christ Driving the Money-Changers from the Temple. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1635. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3619456 Beggar with a Wooden Leg. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 4 7/16 × 2 5/8 in. (11.3 × 6.6 cm). Date: ca. 1630. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3717299 The Strolling Musicians. Dated: c. 1635. Dimensions: plate: 14 x 11.7 cm (5 1/2 x 4 5/8 in.) sheet: 14.3 x 12.2 cm (5 5/8 x 4 13/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3635792 Old Beggar Woman with a Gourd. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 3 7/8 × 1 7/8 in. (9.8 × 4.7 cm)Plate: 3 13/16 × 1 13/16 in. (9.7 × 4.6 cm). Date: ca. 1629. Museum: Metropolitan Museum of Art, New York, USA.

alb3703174 Man Drawing from a Cast. Dated: c. 1641. Dimensions: sheet: 9.5 x 6.5 cm (3 3/4 x 2 9/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3670857 Joseph's Coat Brought to Jacob. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 4 3/4 × 3 7/16 in. (12 × 8.8 cm)Plate: 4 3/16 × 3 3/16 in. (10.7 × 8.1 cm). Date: ca. 1633. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3679632 The Blind Hurdy-Gurdy Player and Family Receiving Alms. Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 6 1/2 x 5 1/16 in. (16.5 x 12.9 cm). Date: 1648. Museum: Metropolitan Museum of Art, New York, USA. Author: After Rembrandt (Rembrandt van Rijn).

alb3673242 Beggar in a High Cap, Standing and Leaning on a Stick. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 6 1/8 × 4 5/8 in. (15.5 × 11.8 cm). Date: ca. 1629. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3733072 Bust of an Old Man with Flowing Beard and White Sleeve. Dated: c. 1630. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3735427 Peasant Family on the Tramp. Dated: c. 1652. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3698859 Clement de Jonghe. Dated: 1651. Dimensions: plate: 20.7 x 16.3 cm (8 1/8 x 6 7/16 in.) sheet: 21.2 x 16.8 cm (8 3/8 x 6 5/8 in.). Medium: etching, drypoint and burin. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3655128 The Stoning of St. Stephen. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1635. Museum: Metropolitan Museum of Art, New York, USA.

alb3743599 The Crucifixion: Small Plate. Dated: c. 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3657720 Old Man with Beard, Fur Cap, and Velvet Cloak. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 5 15/16 × 5 1/4 in. (15.1 × 13.3 cm)Plate: 5 13/16 × 5 1/8 in. (14.8 × 13 cm). Date: ca. 1631. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3647056 Jan Lutma, Goldsmith. Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet (Trimmed): 9 1/16 × 5 15/16 in. (23 × 15.1 cm). Date: 1656. Museum: Metropolitan Museum of Art, New York, USA. Author: After Rembrandt (Rembrandt van Rijn).

alb3721922 Self-Portrait with Saskia. Dated: 1636. Dimensions: plate: 10.5 x 9.4 cm (4 1/8 x 3 11/16 in.) sheet: 12.7 x 10.4 cm (5 x 4 1/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3724394 Samuel Menasseh ben Israel. Dated: 1636. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3722790 Old Bearded Man in a High Fur Cap, with Eyes Closed. Dated: c. 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb4138203 Bearded Man, in Furred Oriental Cap and Robe. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1630-1631. Dimensions: 145 x 129 mm (plate); 155 x 138 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

alb4156927 Harmensz. van Rijn Rembrandt (Leiden, 1606-Amsterdam, 1669). Self-portrait wearing a hat and two Chains (ca. 1642 - 1643). Oil on panel. 72 x 54.8 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

akg207568 Rembrandt (born Rembrandt Harmenszoon van Rijn), 1606 - 1669, Dutch draughtsman, painter and printmaker. "Bust of Saskia Woman Smiling"", 1633. (Saskia van Uylenburgh, wife of Rembrandt from 1634 until her death in 1642). Oil on oak, 52.5 × 44.5 cm. Dresden, Gemäldegalerie, Alte Meister. Museum: Dresden, Gemäldegalerie, Alte Meister.

alb2036990 Rembrandt Harmenszoon van Rijn / 'Bathsheba in the bath', 1654, Oil on canvas, 142 x 142 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.

alb2069823 Rembrandt Harmensz van Rijn / 'Judith at the banquet of Holofernes', 1634, Dutch School, Oil on canvas, 143 cm x 154,7 cm x 2,5 cm, P02132. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JUDITH.

alb4154900 Faun Uncovering a Sleeping Woman (Jupiter and Antiope, after Rembrandt), from the Suite Vollard. Pablo Picasso (Spanish, 1881-1973); printed by Roger Lacourière (French, 1892-1966); published by Ambroise Vollard (French, 1867-1939). Date: 1936. Dimensions: 315 x 410 mm (image/plate); 340 x 445 mm (sheet). Aquatint and sugar lift etching with scraping and engraving on copper in black on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

alb4153426 Portrait of a Man in an Arm Chair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands. Christian Josi (Dutch, died 1828); after Rembrandt van Rijn (Dutch, 1606-1669). Date: 1821. Dimensions: 357 x 270 mm (image); 430 x 325 mm (sheet); 510 x 393 mm (secondary support). Soft ground etching on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

ibxsuc10093734 Rembrandt Harmenszoon Van Rijn 1606-1669, Dutch artist. From the book Gallery of Portraits, published 1833, Historic, digitally restored reproduction from a 19th century original, Record date not stated

akg131191 Rembrandt, Harmensz van Rijn. 1606-1669. "Jesus drives out the Money-changers from the Temple", 1626. Oil on wood, 43 × 33cm. Moscow, Pushkin Museum. Museum: Moscow, Pushkin Museum.

akg051202 Rembrandt (born Rembrandt Harmenszoon van Rijn), 1606 - 1669, Dutch draughtsman, painter and printmaker. "The Apostle Paul", c.1630. Oil on canvas, 125 × 110 cm. Vienna, Kunsthistorisches Museum. Museum: Wien, Kunsthistorisches Museum.

alb10599492 Portrait of a Young Man with a Golden Chain (Self-Portrait with a Golden Chain). Museum: Museu de Arte de São Paulo. Author: Rembrandt van Rhijn.

alb3674270 Portrait of Gerard de Lairesse. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 44 3/8 x 34 1/2 in. (112.7 x 87.6 cm). Date: 1665-67.Gerard de Lairesse (1641-1711) was, in his day, a well-known painter, etcher, and art theorist. He suffered from congenital syphilis, which caused him to go blind about 1690; he subsequently focused his energies on art theory. By the time this portrait was painted, in 1665, the ravaging effects of the disease were visible in his swollen features and bulbous nose. Recording his unfortunate appearance with an uncompromising directness, Rembrandt invested his subject with an air of quiet dignity. Although the sitter's theories on the ideal in painting were antithetical to Rembrandt's style, which Lairesse disparagingly likened to "liquid mud on the canvas," the portrayal is a sympathetic one. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3626436 Faust. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 10 5/8 × 8 7/16 in. (27 × 21.5 cm)Plate: 8 3/16 × 6 5/16 in. (20.8 × 16 cm). Date: ca. 1652. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb4137225 The Raising of Lazarus: The Larger Plate. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1627-1637. Dimensions: 343 x 235 mm (sheet trimmed within plate mark). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

akg7668938 school of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, The Death of Lucretia (?), mid-1640s, oil on canvas, Unframed: 68 1/2 × 86 1/2 inches (174 × 219.7 cm).

akg336138 Zanko, Thomas. "La Réunion des ancêtres", 1978. Aérographe et pochoir sur plastique toilé, H. 1,45 ; L. 2,50. Coll. de l'artiste. Copyright: Additional copyrights must be cleared.

akg7906361 Felix Ziem, 1821-1911. "The Night Watch after Rembrandt", around 1853. Painting, oil painting. PPP251, Paris, Petit Palais.

akg7237823 Rembrandt (Rembrandt Harmenszoon van Rijn), 1606-1669. "The Abduction of Europa", 1632. Oil on single oak panel, 64.6 × 78.7 cm. Inv. No. 95. PB. 7. Los Angeles, J. Paul Getty Museum.

akg7700600 Old Man with a Tall, Fur-Edged Cap, Follower of Rembrandt van Rijn (Dutch, 1606-1669), oil on panel, 9-3/4 x 7-1/2 in. (panel) 17-3/4 x 15-1/2 in. (framed), European Painting and Sculpture Before 1800.

akg7650567 circle of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Bust of a Youth, early 1660s, Oil on oak panel, Unframed: 16 × 13 3/4 inches (40.6 × 34.9 cm).

akg7646742 workshop of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Bust of a Bearded Old Man, mid-1630s, Oil on oak panel, Unframed: 22 1/2 × 16 3/4 inches (57.2 × 42.5 cm).

akg7649192 circle of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, A Woman Weeping, mid- to late 1640s, Oil on oak panel, Unframed: 8 3/8 × 6 5/8 inches (21.3 × 16.8 cm).

akg7648598 Unknown (Dutch), manner of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Rembrandt's Son Titus, 1641/1668, oil on canvas, Unframed: 21 1/4 × 17 1/8 inches (54 × 43.5 cm).

akg7665062 workshop of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Man Wearing a Plumed Beret and Gorget, mid-1630s, Oil on oak panel, Unframed: 27 1/8 × 20 3/8 inches (68.9 × 51.8 cm).

akg110108 Rembrandt (born Rembrandt Harmenszoon van Rijn), 1606 - 1669, Dutch draughtsman, painter and printmaker. Exterior View. Rembrandt House Museum. Rembrandt lived and worked in the house between 1639 and 1656, Jodenbreestraat 4/6, Amsterdam, The Netherlands. Photo, c.1950.

akg146295 Rembrandt (born Rembrandt Harmenszoon van Rijn), 1606 - 1669, Dutch draughtsman, painter and printmaker. "The Holy Family in the Workshop", c.1648/49. Pen and brown ink, 173 × 227 mm. Rotterdam, Museum Boymans-van Beuningen. Museum: Rotterdam, Museum Boymans-van Beuningen.

akg3090150 Rembrandt, born Rembrandt Harmenszoon van Rijn; Dutch painter; Leiden 15. 7. 1606 - Amsterdam 4. 10. 1669. - "The last years of life, 1656-1669." - (The faulty Rembrandt in his house in Rozengracht in Amsterdam's Jordaan district). Color lithograph, anonymous, Germany, 1906. Collective pictures of the company Liebig's Fleisch-Extract. No. 6 of the series: From Rembrandt's life. Private collection. Museum: PRIVATE COLLECTION.

akg028603 Handel:. Kunsthandel / Auktionen. Tim Llewellyn, Direktor des Londoner Auktionshauses Sotheby's, versteigert das Rembrandt-Gemälde "Junge Frau im goldbesetzten Mantel" für 7.260.000 engl. Pfund. Foto, 10.12.1986.

akg573902 Rembrandt, Harmensz van Rijn. 1606-1669. "Butchered ox", c. 1655. Oil on wood, 73.5 × 52cm. Glasgow, Art Gallery and Museum. Museum: Glasgow, Art Gallery and Museum.

alb3740088 Abraham Entertaining the Angels. Dated: 1656. Dimensions: plate: 15.8 x 12.7 cm (6 1/4 x 5 in.) sheet: 16.1 x 13 cm (6 5/16 x 5 1/8 in.). Medium: etching and drypoint on japan paper. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3610563 David in Prayer. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 17 13/16 × 12 11/16 in. (45.3 × 32.2 cm)Plate: 5 1/2 × 3 11/16 in. (14 × 9.4 cm). Date: 1652. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

orz032694 PINTURA - FOTO AÑOS 70. Author: REMBRANDT HARMENSZOON VAN RIJN. Location: Rijksmuseum. Amsterdam. HOLANDA.

orz032692 PINTURA - FOTO AÑOS 70. Author: REMBRANDT HARMENSZOON VAN RIJN. Location: Rijksmuseum. Amsterdam. HOLANDA.

alb4137049 Seated Female Nude. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1660-1662. Dimensions: 212 × 175 mm. Pen and brown ink and brush and brown wash with scraping and with touches of opaque white watercolor on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

alb4368576 Reading Hermit, 1631, oil on oak, 61 x 51.5 cm, Rembrandt Harmensz. van Rijn, (Alte Kopie nach / old copy after), Leiden 16061669 Amsterdam.

alb4363046 David hands Goliath's head to King Saul, 1627, oil on oak, 27.4 x 39.7 cm, monogrammed and dated lower center: RH. [Ligated] 1627., Rembrandt Harmensz. van Rijn, Leiden 16061669 Amsterdam.

alb4374333 school of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, The Annunciation, c. 1650/1655, Oil on oak panel, Unframed: 20 3/8 × 17 1/8 inches (51.8 × 43.5 cm).

alb4509460 school of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, The Death of Lucretia (?), mid-1640s, oil on canvas, Unframed: 68 1/2 × 86 1/2 inches (174 × 219.7 cm).

alb3680279 Bellona. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 50 x 38 3/8 in. (127 x 97.5 cm). Date: 1633.Rembrandt's sober and powerful depiction of Bellona, the Roman goddess of war, was perhaps intended to suggest the new Dutch Republic's readiness to repel foreign forces. Images of Mars and his sister Bellona occasionally decorated the headquarters of civic guard companies. The shield, with its frightful face of Medusa, was added at a late stage of work, probably in response to seeing a version of Rubens's well-known painting of a severed Medusa's head. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3682334 Portrait of a Man, probably a Member of the Van Beresteyn Family. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 44 x 35 in. (111.8 x 88.9 cm). Date: 1632.The man is most likely Cornelis van Beresteyn (1586-1638), a wealthy burgomaster of Delft. His restrained pose and sober expression contrast with the animation and accessibility that Rembrandt usually attributed to members of Amsterdam society. At the time, portraits in Delft and in the neighboring court city of The Hague were remarkably conservative, adhering to a tradition that went back to Spanish royal portraits of the mid-1500s. Rembrandt is known to have painted a few portraits in The Hague during 1632. Museum: Metropolitan Museum of Art, New York, USA.

alb3632665 Rembrandt's Son Titus (1641-1668). Artist: Style of Rembrandt (17th century or later). Dimensions: 31 1/8 x 23 1/4 in. (79.1 x 59.1 cm).The sentimental subject of Rembrandt's son Titus, who died one year before his father, was a favorite of Rembrandt forgers, who occassionally failed to coordinate the date on their canvas with the style of execution and the sitter's age. The present painter has been more careful, evidently referring to an original portrait of Titus such as the one of about 1657 in The Wallace Collection, London, and, for the costume, to a self-portrait or other Rembrandt painting of the period; the same pose and placement of the figure in the composition occur in Rembrandt's Self Portrait of 1652 in the Kunsthistorisches Museum, Vienna. The boy's bright eyes and sweetly smiling lips seem as superficial in expression as they are in form. The technique overall might be compared with that of the Man with a Beard (89.15.3). Museum: Metropolitan Museum of Art, New York, USA.

alb3672001 Man in Oriental Costume ("The Noble Slav"). Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 60 1/8 x 43 3/4in. (152.7 x 111.1cm). Date: 1632.Compared with Rembrandt's formal portraits of the same year, this picture is remarkable for its brilliant brushwork and dramatic illumination. It was probably painted shortly after he moved from his native Leiden to Amsterdam, and in its exotic subject and style was surely intended for a knowledgeable collector. Pictures of imaginary Persian, Ottoman, or otherwise "Oriental" princes were popular at the time because of new trade contacts between the Dutch and the Middle East. However, the model is a Dutchman who appears in other paintings by Rembrandt and by artists in his circle. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3678296 Portrait of a Young Woman with a Fan. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 49 1/2 x 39 3/4 in. (125.7 x 101 cm). Date: 1633.This animated portrait has a pendant showing the sitter's husband rising from a chair (Taft Museum, Cincinnati). When seen together, husband and wife seem to respond to each other, making these among Rembrandt's most inventive compositions of the early 1630s. Rembrandt's early experience as a painter of dramatic history scenes and his close study of physiognomy and character during the time he spent in Leiden prepared him to be the most original and successful portraitist in Amsterdam, where he arrived in the winter of 1631-32. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3622864 Portrait of a Man with a Breastplate and Plumed Hat. Artist: Style of Rembrandt (Dutch, mid- to late 1640s). Dimensions: 47 3/4 x 38 3/4 in. (121.3 x 98.4 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3628894 Head of Christ. Artist: Style of Rembrandt (Dutch, 1650s). Dimensions: 16 3/4 x 13 1/2 in. (42.5 x 34.3 cm); with added strips 18 5/8 x 14 5/8 in. (47.3 x 37.1 cm).Rembrandt painted this subject a number of times; three examples, one described as "Een Christus tonie nae't leven" ("a head of Christ done from life," that is, from a model probably found in the Jewish quarter of Amsterdam), were cited in the 1656 inventory of the artist's possessions. Of the dozen bust-length portraits of Christ known today, only the small panel in Berlin is universally accepted, but several others are obviously the work of pupils. The present picture, which is sensitive both in conception and execution, must be either by Rembrandt or by one of his most gifted followers. The issue, as so often is the case, is complicated by the fact that the paint surface has been flattened and badly abraded. Museum: Metropolitan Museum of Art, New York, USA.

alb3626177 The Standard Bearer (Floris Soop, 1604-1657). Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 55 1/4 x 45 1/4in. (140.3 x 114.9cm). Date: 1654.The flag, the plume in the hat, and the tooled leather baldric (sword-belt) indicate that the figure is an ensign in one of Amsterdam's civic guard companies. He is almost certainly Floris Soop, a wealthy bachelor whose estate included 140 paintings. Rembrandt conveys a strong sense of character and reveals extraordinary skill in the vigorously modeled face, the thick hair, and costume details. The impressions of volume in the figure and space in the background have been diminished by abrasion and darkening with age. Museum: Metropolitan Museum of Art, New York, USA.

alb3621218 Pilate Washing His Hands. Artist: Style of Rembrandt (Dutch, 17th century). Dimensions: 51 1/4 x 65 3/4 in. (130.2 x 167 cm). Date: probably 1660s.Critical opinions of this picture have varied considerably since about 1905, when Wilhelm von Bode described it as "a somewhat abnormal work" by Rembrandt. However, most scholars since the 1940s have dated the painting to the 1660s and assigned it to an anonymous pupil. The composition is reminiscent of mature works by Rembrandt but the Rembrandtesque surface effects fail to convey anything like the master's command of illumination and modelling. The name of his only known pupil of the 1660s, Arent de Gelder, has been put forward speculatively. Museum: Metropolitan Museum of Art, New York, USA.

alb3608426 Christ Crucified between the Two Thieves: The Three Crosses. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Plate: 15 x 17 1/4 in. (38.1 x 43.8 cm)Sheet: 15 1/8 x 17 7/16 in. (38.4 x 44.3 cm)Mount: 22 x 28 in. (55.9 x 71.1 cm). Date: 1653.The Three Crosses, one of Rembrandt's finest works in any medium, represents the culmination of his virtuosity as a printmaker. He drew on the copperplate entirely in drypoint which allowed him to fully exploit the velvety areas of burr raised by the drypoint tool as it cut into the copper. When Rembrandt created this impression, he deliberately left ink on the printing plate; it lightly veils the figures standing at the foot of the cross on the right; a thicker layer almost completely covers the bushes along the right edge. By creatively inking the copperplate, Rembrandt in a certain sense painted each impression. Each time he printed the copperplate he created a unique work. He further varied impressions by printing them on different supports; this impression is printed on vellum, which infuses the composition with a warm light. Vellum, less absorbent than paper, holds ink on the surface, softening lines and enhancing the richness of entire effect. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3652049 The Toilet of Bathsheba. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 22 1/2 x 30 in. (57.2 x 76.2 cm). Date: 1643.King David, barely discernible atop the palace in the background, sees Bathsheba bathing and sends for her, despite the fact that she is married to his loyal soldier Uriah (Samuel 2:2-5). The king later arranges for Uriah to be killed in battle. The painting is one of a few dating from the 1640s in which Rembrandt revives his early, precisely descriptive manner in order to produce fine "cabinet pictures" for collectors. The others are also religious but not erotic, as this one was surely intended to be. The original state of the badly worn background may be judged from a reproductive engraving of 1763. Museum: Metropolitan Museum of Art, New York, USA.

alb3650039 Woman with a Pink. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 36 1/4 x 29 3/8 in. (92.1 x 74.6 cm). Date: early 1660s.Wearing a romantically outdated costume and exotic jewelry, the woman holds a pink, or carnation, symbol of love and marriage. If the sitter in the pendant portrait, Man with a Magnifying Glass (14.40.621) is Pieter Haringh, then the modestly smiling woman is his wife, Elizabeth Delft (ca. 1620-1679). About a decade earlier the same couple, in conventional attire, was portrayed by Rembrandt's former pupil Jan Victors (1619-after January 1676). Museum: Metropolitan Museum of Art, New York, USA.

alb3656634 Man in a Red Cloak. Artist: Style of Rembrandt (Dutch, 1650s or early 1660s). Dimensions: 15 1/8 x 12 1/4 in. (38.4 x 31.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3612580 Lieven Willemsz van Coppenol (born about 1599, died 1671 or later). Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 14 3/8 x 11 3/8 in. (36.5 x 28.9 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3615235 Man with a Steel Gorget. Artist: Style of Rembrandt (Dutch, second or third quarter 17th century). Dimensions: 37 1/8 x 30 5/8 in. (94.3 x 77.8 cm).Rembrandt's authorship was doubted as early as the 1920s. In subject and style the painting is typical of the master's immediate circle in the 1640s; attributions to Govert Flinck and to Gerbrand van den Eeckhout, both of whom studied under Rembrandt in the 1630s, have been proposed in recent years. The dashing figure's gesture may have been adopted from that of the captain in The Night Watch of 1642. Museum: Metropolitan Museum of Art, New York, USA.

alb3619368 Young Woman with a Red Necklace. Artist: Style of Rembrandt (Dutch, ca. 1645). Dimensions: Overall, with added strips, 8 1/2 x 7 1/4 in. (21.6 x 18.4 cm). Date: ca. 1645. Museum: Metropolitan Museum of Art, New York, USA.

alb3614720 Cupid Resting (copy). Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam) School. Dimensions: Sheet (Trimmed): 3 1/2 × 4 3/4 in. (8.9 × 12 cm). Former Attribution: Formerly attributed to Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam) School. Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

alb3610724 Christ with a Staff. Artist: Follower of Rembrandt (Dutch, third quarter 17th century). Dimensions: 37 1/2 x 32 1/2 in. (95.3 x 82.6 cm).This impressive picture was clearly inspired by Rembrandt's style of the 1660s and was conceivably painted in his workshop. The broad, uniform application of paint and rather decorative use of strokes and scratches imitate some of Rembrandt's surface effects but fail to achieve his sense of volume, various textures, and atmosphere. A few scholars have suggested the manner of execution is similar to that of Arent de Gelder (1645-1727), Rembrandt's last important pupil. Museum: Metropolitan Museum of Art, New York, USA.

alb3649890 Man with a Magnifying Glass. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 36 x 29 1/4 in. (91.4 x 74.3 cm). Date: early 1660s.The costume and pose of the man in this magnificent late work by Rembrandt were inspired by Raphael's celebrated portrait of Baldassare Castiglione (Musée du Louvre, Paris), which Rembrandt studied when it appeared at auction in Amsterdam in 1639. The man who ran the auction was Pieter Haringh (1609-1685), who is very likely the sitter here; his features are known from a Rembrandt etching of 1655. The magnifying glass would have been used in evaluating jewelry, silver, paintings, and other luxury goods. The pendant portrait (14.40.622) shows his wife. Museum: Metropolitan Museum of Art, New York, USA.